Ultrabomb return with ‘The Bridges That We Burn’, out now via DC-Jam Records / Virgin Music Group—a sharp, high-impact album that cuts through the noise with purpose and precision. Built on soaring guitar lines, driving rhythms, and choruses that land with clarity and conviction, the record captures a band operating at full force—channeling frustration with the modern noise cycle into something focused, urgent, and forward-looking.
At its core, ‘The Bridges That We Burn’ isn’t about shouting over chaos—it’s about rising above it. Ultrabomb deliver songs that feel immediate and intentional, where melody and muscle work in tandem to create something both anthemic and emotionally direct.
Together, they channel decades of punk and alternative rock history into a sound that feels anything but nostalgic. The result is a record where urgency meets craftsmanship—tight songwriting, dynamic performances, and a clear sense of intent.
As Magnet noted, Ultrabomb deliver “a swift blow to the sternum that harnesses both the speedy energy of Norton’s early Minneapolis days and the ragged hard-rock sensibility of Twin Tone-era Soul Asylum.”
Recorded at Creation Audio in Minneapolis, ‘The Bridges That We Burn’ was produced, engineered, and mixed by John Fields, with mastering by Justin Perkins (Mystery Room Mastering). The album expands the band’s dynamic range without sacrificing the concise, high-impact songwriting that defines Ultrabomb.
With ‘The Bridges That We Burn’, Ultrabomb prove that experience doesn’t dull the edge—it sharpens it. This is a record that doesn’t look back. It pushes forward, loud and clear.